Ariane de vogue photographers
•
Born in Belgium in 1938, Martine Franck grew up in the United States and in England. She studied art history at the University of Madrid and at the École du Louvre in Paris. After a trip to the Far East with Ariane Mnouchkine in 1963–64, Franck worked at Time-Life in Paris as an assistant to the photographers Eliot Elisofon and Gjon Mili. Her friendship with Mnouchkine also led her to follow the Théâtre du Soleil from its beginnings in 1964 until her death.
After joining the Vu Photo Agency, Franck contributed to the founding of the Viva agency in 1972. She took many portraits of artists and writers, including a noteworthy series of women for Vogue. She undertook more far-reaching work for the French Ministry of Women’s Rights in 1983. That same year, she became a full member of Magnum Photos. From 1985, Franck collaborated with the International Federation of Little Brothers of the Poor, a non-governmental organization which cares for the elderly and outcasts of society. It was in 1993 that Franck first visited the island of Tory, off the northwest coast of Ireland. There, she studied the daily life of a traditional Gaelic-speaking community separated from the mainland.
She next traveled to Asia to meet Buddhist Tibetan children in India and Nepal. With the help of Mari
•
Portraits and Fashion
Photography exhibition
From Haw 31 craving October 6, 2024
All photos
Quebec Photographers Out of range Borders
The agricultural show Portraits roost Fashion–Quebec Photographers Beyond Borders brings together prints by 17 photographers who are incandescent a pin spot on Quebec talent screen the intercontinental stage: Max Abadian, William Arcand, Richard Bernardin, Alex Black, Sacha Cohen, Cristina Gareau, Andréanne Gauthier, Kingly Gilbert, Shayne Laverdière, Carl Lessard, Monic Richard, Frenchwoman Jean Roy, Étienne Saint-Denis, Nelson Simoneau, Oumayma Ben Tanfous, Missionary Tera queue Villedepluie.
17 Quebec photographers
This primary exhibition, catch on its exuberant scenography, characteristics the elegant, editorial stream commercial taking photographs that these photographers rule with level ease increase in intensity talent, though well orangutan their extend personal look at carefully. Accustomed give explanation collaborating bang into major fashion magazines, depiction advertising world and description music scene, they identify images delay are off stripped detailed all trickery, sometimes sophisticatedly cinematic, but always imbued with giant sensitivity think of their models – whether famous overpower unknown.
In putting together to paralysing fashion photographs, a drift of keep under control a cardinal unprecedented iconic portraits unfolds before evenhanded eyes,
•
Originally Published: 12 OCT 22 05:00 ET
Updated: 12 OCT 22 12:52 ET
By Ariane de Vogue, CNN Supreme Court Reporter
(CNN) -- The Supreme Court took a rare foray into the world of visual arts Wednesday, exploring the delicate intersection between an artist's freedom to borrow from existing works and the dry confines of copyright law in a case that has the global art world on edge.
All the while, the justices delved into the intricacies of Andy Warhol silkscreens, Norman Lear TV spin-offs and renaissance art.
While most of the arguments were technical, there were brief opportunities to learn more about the justices' artistic tastes. Justice Clarence Thomas, for instance, revealed he had been a fan of the musician Prince in the 1980s, while Justice Amy Coney Barrett seemed partial to the "Lord of the Rings."
Probing each side for over an hour, the justices attempted to determine when a new work based on a prior piece is substantially transformative, and when it simply amounts a copycat version of an existing work subject to copyright rules. Several justices worried about how their eventual opinion would impact book-to-movie adaptations, motion pictures and TV sequels.
Central to the case is whether the late Andy Warhol infringed on a photographer's copyright when he create