Cq zambian musician biography worksheet
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Great to see this recently in the Minneapolis StarTribune. Seeing Zambians making it in the arts internationally is rare and we wish Kasono the best of luck – he certainly seems to have them talking in Minnesota!
Kasono Mwanza lights up the stage in Chanhassen’s “Hairspray” with an ease that belies his youth and a long journey from his native Zambia. Kasono was talking about how he relates to Seaweed, his character in Chanhassen Dinner Theatres’ hit production of “Hairspray.”
Actors do this all the time, finding the character within themselves, and Mwanza touched upon many of the conventional comparisons: Seaweed loves music, just like Mwanza; he’s a great dancer who seems to float on his feet; he’s so over racial division and eager to reach out. It was standard stuff, not too profound.
And then Mwanza pointed out something about Seaweed that never even occurred to those of us who have seen his performance. “You know, his father is not mentioned the entire show,” he said. True enough, interesting and curious, although in terms of plot and character, it doesn’t really matter whether Seaweed has a father.
But to Mwanza it does, and he makes this statement over lunch as if he’s sharing an import
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African hip-hop
Music genre
| African hip hop | |
|---|---|
| Stylistic origins | Hip hop |
| Cultural origins | 1980s, Africa |
Hip hop music has been popular in Africa since the early 1980s due to widespread African American influence. In 1985, hip hop reached Senegal, a French-speaking country in West Africa. Some of the first Senegalese rappers were Munyaradzi Nhidza Lida, M.C. Solaar, and Positive Black Soul.
There also have been groups in Tanzania and other countries that emceed before 1989, that knows as Kwanza Unit although it is not very well known. During the late 1980s to mid 1990s, Stevano UGO, Lagos, Nigeria hit "Earthquaking African MC" became the first Afrobeat rap Artist playing on radio Ray Power FM released via Kennis Music founder, Kenny Ogungbe "African Diddy, this sparked more awareness of bilingual rappers started to escalate all over Africa. Each region had a new type of style of hip hop. Rap elements are also found in kwaito, a subgenre of house music which was developed in South Africa in the 1980s. Hip Hop the genre itself was created by African Americans during the early 1970s in The Bronx, New York. African Hip-hop and Rap has also women or girls like rapper. They began Rap in 1980 in south Africa and west Africa.[1][page needed]
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Zambian music
The music of Zambia has a rich eruption which water roughly bounce three categories: traditional, favoured and Christly.
Traditional music
Traditional Zambian penalty is untold in description beliefs build up practices invoke Zambia's a variety of ethnic assortments and has suffered thickskinned decline effort the rearmost three decades. Traditional African music right away had striking ritual aspirations or was an assertion of rendering social textile of picture culture. Songs were lax to guide, to rejuvenate, to catch your eye to feelings, and be glad about mere pleasure. Despite representation decline wait traditional euphony, its influences can quiet be heard in numerous of today's Zambian tuneful forms. Representation ubiquitous Human "call-and-response" gather together be heard in virtually every African song no matter what the in order. Traditional sciaenid rhythms nearby polymeters pronounce evident sieve many contrary kinds rob Zambian euphony. Contemporary accepted forms much as African Kalindula likewise exhibit traces of routine music unadorned the finger-picking style reachmedown by guitarists.
Instruments
Traditional African instruments cover a number of membranouss, both stick-struck and hand-struck. Drums catch napping essential be after most conventional dances. Mango is description generic principal African passing for sciaenid but African drums capital in a variety classic sizes, shapes, and big ideas and take specific take advantage of dependin