Erasmus quellinus ii biography of donald
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The son of a Flemish sculptor of the same name, Erasmus Quellinus the Younger probably trained initially with his father before entering the studio of Peter Paul Rubens. His earliest known work is a painting of The Adoration of the Shepherds of 1632, the same year that he joined the painter’s guild in Antwerp, where he was to work for almost the entirety of his career. Throughout the second half of the 1630s Quellinus was active as one of Rubens’ closest collaborators. He worked with the master in the last years of his life; on the decorations for the entry of the new governor Cardinal-Infante Ferdinand into Antwerp in 1635 and, for Philip IV of Spain, on a series of paintings for the hunting lodge of the Torre de la Parada near Madrid, executed between 1636 and 1638. Quellinus also provided title pages and book illustrations for the Plantin-Moretus print workshop and publishers in Antwerp, working under Rubens’ supervision but in his own style. Following the death of Rubens in 1640, Quellinus continued to work as a draughtsman and designer for the Plantin-Moretus firm, and was also appointed the official painter of the city of Antwerp, with responsibility for all civic decorative schemes over the next quarter of a century.
Quellinus enjoyed a reputation as one of the lead
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Sculptures
Artus Quellinus the Younger was born in Sint-Truiden in 1625. His family counted many artists, sculptors as well as painters. His father, Erasmus Quellinus, was a painter, as were his brothers, Erasmus II and Hubertus. The young Artus was probably taught by his cousin, the famous baroque sculptor Artus I Quellinus (“the Elder”); he became a master of the Antwerp guild of St Luke in 1650/51. Between 1652 and 1654, he worked with his master Artus I on the decorations of Amsterdam’s city hall. Sometime afterwards he went to Italy, where he presumably visited Turin, Florence and Rome.
In 1663 he returned to Antwerp, where he became a citizen the same year. He married Anna Maria Gabron; the pair had six children. He taught several students, such as Thomas Quellinus, his son, and Alexander van Papenhoven; for several apprentices, however, it has not yet proved possible to determine whether they studied under him or his cousin, because the records don’t always specify which ‘Artus Quellinus’ is meant. After his return to Antwerp, the artist received many commissions in the Southern Netherlands; he primarily worked on church furnishings and decorations, as well as tomb sculptures. Works by Artus II Quellinus
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Erasmus Quellinus depiction Younger
Flemish catamount (1607–1678)
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Life
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