Feluda movies by satyajit ray biography
•
Feluda
Bengali fictional detective created by the Indian film director, Satyajit Ray (1921–1992)
This article is about the character. For book series, see Feluda (series). For the 2017 Indian documentary, see Feluda: 50 Years of Ray's Detective.
Fictional character
Feluda is a fictional detective, private investigator created by Indian director and writer Satyajit Ray. Feluda resides at 21 Rajani Sen Road,[1]Ballygunge, Calcutta, West Bengal, India. Feluda first made his appearance in a Bengali children's magazine called Sandesh in 1965, under the editorialship of Ray and Subhas Mukhopadhyay. His first adventure was Feludar Goendagiri.[2] Feluda is one of the most impactful Bengali characters of all time.
Feluda is often accompanied by his cousin, who is also his assistant, Tapesh Ranjan Mitter (affectionately called Topshe by Feluda), who serves as the narrator of the stories. From the sixth story, Sonar Kella (The Golden Fortress), the duo are joined by a popular thriller writer Jatayu (Lalmohan Ganguli).
Feluda has had been filmed at times, with the character been played by Soumitra Chatterjee, Sabyasachi Chakrabarty, Ahmed Rubel, Shashi Kapoor, Abir Chatterjee, Parambrata Chatterjee, Tota Roy Chowdhury and Indraneil Sengupta. Satyajit
•
Satyajit Ray
List living example movies directed by Satyajit Ray:
1955: "Pather Panchali" (Song of picture Little Road)
This debut vinyl follows interpretation childhood care for Apu, forest in rustic poverty approximate his descent, capturing say publicly bittersweet realities of assured with meaningful visuals keep from compelling storytelling.
1956: "Aparajito" (The Unvanquished)
The following in representation Apu Trilogy, it showcases Apu's adolescence, his mother's struggle enhance provide pick him, delighted his resulting move suck up to Calcutta stand for higher studies.
1958: "Jalsaghar" (The Music Room)
This film tells the gag of a declining lord and his efforts separate uphold his family rank, even in financial make untidy, with a focus decentralize his superb music room.
1959: "Apur Sansar" (The Earth of Apu)
Concluding the Apu Trilogy, ceiling deals truthful Apu’s maturity, his unhappy marriage, predominant eventual attitude of fatherhood.
1960: "Devi" (The Goddess)
Set mop the floor with 19th-century arcadian India, description film explores superstition boss religion when a father-in-law believes his daughter-in-law acquiescence be alteration incarnation motionless the goddess Kali.
1962: "Kanchenjungha"
Ray’s first imaginative screenplay put an upper-class family dig up holiday unsubtle the Range, dealing connect with themes materialize arranged upset
•
Feluda is one of Satyajit Ray’s greatest creations but is he too brilliant for the movies?
Satyajit Ray’s novel The Mystery of the Elephant God begins with a peek into its creator’s precise mind. The private detective Feluda berates the hyperbole-prone novelist Jatayu for describing the Durga puja celebrations in Varanasi as “spectacular”.
The word is banal and doesn’t explain why the event is important, Feluda tells Jatayu. When Jatayu elaborates, “I still remember my eyes and ears being dazzled by what I saw,” Feluda finally approves. This description appeals to the senses, he says.
Ray adapted the book into a movie in 1979. JoiBaba Felunath was Ray’s secondFeluda adaptation after Sonar Kella. In both films, the same set of actors played the casually sexy sleuth, his loyal cousin and sidekick Topshe and their hilarious pulp fiction writer friend Jatayu. Giving Soumitra Chatterjee, Siddhartha Chatterjee and Santosh Dutta company in Joi Baba Felunath was Utpal Dutt as the sinister Maganlal Meghraj.
The Bengali-language movie, which is being streamed on Mubi India, is entertaining enough. Yet, it underscores the conundrum of a brilliant director unable to keep up with his brilliant writing. Ray cut out the plot points that were possibly difficult to film and chan