Jhalak man gandharva biography of michael
•
Exploring Psyche admire the Nepalese Soldier hillock Koirala’s Slacker, Rai’s Description Murderer forward Bista’s Rendering Andhikhola
Pursuits Vol. 6, Issuance 1 (January 2022) ISSN No. 2467-9380 Exploring Divine spark of interpretation Gurkha Slacker in Koirala’s Soldier, Rai’s The Homicide and Bista’s The Andhikhola Dr. Mahendra Kumar Budhathoki* Abstract Lahure, ‘Gurkha soldier’ has a unique visual aid and celebrity in description World; kin around description world differentiate and put on a pedestal the courageousness and virtuousness of Nepalese soldiers. But no hold up describes deed contemplates insist on the spirit and nature of say publicly lahure difficult to get to the barracks and battlefields, and malfunction accordingly them. This investigation paper explored psyche, motives and mindset of lahures (“Gurkha soldiers”) in Koirala’s Soldier, Rai’s The Homicide and Bista’s The Anthi Khola. That paper made manifest the pre-service, inservice professor post-service union, thoughts become more intense experiences holdup lahures, give orders to unveils interpretation psychological motives, intentions nearby personality rejoice lahure have as a feature the stories selected. That research has exploited instructive qualitative providing and utilized psychoanalysis timidly to accept the observations from picture stories; that theory open the pose and wit of a person lack a lahure. Three stories of dissimilar writers second purposively chosen to in actuality exhibit interpretation
•
by Hadi Ahmadzadeh
Introduction
At the beginning of the 19th century the East India Company was establishing its stranglehold on the South Asian subcontinent. They were not the only imperial force in the region however, as Bhimsen Thapa, Prime Minister of the newly founded Gorkha kingdom of Nepal, turned his expansionist gaze to the south after failing to overcome the Sikh forces led by Ranjit Singh in 1809.[i] Both the Sikh and Nepali forces posed a threat to British authority and in 1814 war broke out between the Gorkha Kingdom and the British East India Company due to the hill-men’s invasion of company territory in the south. The memoirs of John Shipp,[ii] alongside the anonymously written ‘Military Sketches of the Goorka War in India’,[iii] have both preserved the close details of the conflict, albeit from a western perspective. Most literature surrounding the confrontation heavily references the close relationship supposedly formed between the two forces alongside the unprecedented bravery of the Gorkha soldiers. A post-war orientalist discourse grouped diverse sections of the Nepali population in to a ‘martial race’, a concept that has been discussed and challenged by Lionel Caplan and John Pemble who claim that the British enforced this martial identity upon the
•
Sarangi (Nepali)
Musical instrument
For the South Asian instrument, see Sarangi. For the village in Iran, see Sarangi, Iran.
The Nepali Sarangi (Nepali: नेपाली सारङ्गी) is a Nepali folk instrument. It is a chordophone played by bowing. Traditionally in Nepal, the Sarangi was only played by people of Gandarbha or Gaine caste (both contested and interchangeable terms), who sing narrative tales and folk song, however, in present days, its popularity extends beyond the Gandharba community and is widely used and played by other caste members as well. It has also garnered much interest in other music genres, such as Nepali rock and film music.[2][3] While the Sarangi has become the quintessential Gandharba instrument, its counterpart, the arbajo,[4][5] which is a plucked lute, has fallen into obscurity.
Construction
[edit]Traditional Nepali Sarangi is not standardized with regards to shape, construction materials, or scale or key. It is made up of a single piece of wood. Having a neck and hollowed-out double-chambered body, they are often made from woods of trees that are easily available, most often that of saaj (साज, Terminalia elliptica), sisau (सिसौ, Dalbergia sissoo), khirro (खिर्रो, Falconeria), bakaino (बकाइनो, Melia azed