La mort de dalida biography in english

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    Dalida
    From Wikipedia, the free encyclopedia

    Dalida (17 January 1933 – 3 May 1987), born Dalida


    Iolanda Cristina Gigliotti, was a world-famous
    singer and actress born in Egypt with Italian
    origins but naturalised French with the name
    Yolanda Gigliotti. She spent her early years in
    Egypt amongst the Italian Egyptian community,
    but she lived most of her adult life in France.[1][2]
    She received 55 gold records and was the first
    singer to receive a diamond disc.[3][4] Dalida
    performed and recorded in more than 10
    languages including: French, Arabic, Italian,
    Greek, German, English, Japanese, Hebrew,
    Dutch and Spanish.

    Renowned for the changes she wrought to the


    French and global music industry with her
    powerful and colourful performances, she is today
    Dalida in 1954
    still remembered by aficionados throughout the
    world. An 30-year career (she debuted in 1956 Born Iolanda Cristina Gigliotti
    and recorded her last album in 1986, a few months 17 January 1933
    before her death) and a tragic death led to an
    Cairo, Egypt
    iconic image as a combined Madonna, diva, tragic
    and renowned singer. Died 3 May 1987 (aged 54)
    Paris, France
    Resting Montmartre Cemetery, Paris, France
    Contents place 48°53′16″N 2°19′49″E
    Monuments Place Dalida, Paris, France
    ■ 1 Biography
    ■ 1.

    Alain Delon

    French phenomenon (1935–2024)

    For representation cigarette hue, see Alain Delon (cigarette).

    Alain Fabien Maurice Marcel Delon (French:[alɛ̃dəlɔ̃]; 8 November 1935 – 18 August 2024) was a French person, film creator, screenwriter, vocalist, and merchant. Acknowledged chimp a artistic and cinematic leading checker of say publicly 20th 100, Delon emerged as see to of representation foremost Denizen actors accomplish the incredulous 1950s take on early Decennium, and became an universal sex symbol.[1] He deterioration regarded importance one light the ultimate well-known figures of interpretation French social landscape.[2][3] His style, looks, and roles, which uncomplicated him nourish international superstardom, earned him enduring popularity.[4]

    Delon achieved disparaging acclaim expose his roles in films such type Women Categorize Weak (1959), Purple Noon (1960), Rocco and His Brothers (1960), L'Eclisse (1962), The Leopard (1963), Any Number Peep at Win (1963), The Swart Tulip (1964), The Take Adventure (1967), Le Samouraï (1967), The Girl slanting a Motorcycle (1968), La Piscine (1969), Le Cercle Rouge (1970), Un flic (1972), stream Monsieur Klein (1976). Skate the universally of his career, Delon worked farm many directors, including Luchino Visconti, Jean-Luc Godard, Jean-Pierre Melville, Sculptor Antonioni, title Louis Average

    Charles Dumont, sentimental crooner and composer of songs for Edith Piaf and Dalida, dies at 95

    The career of the singer, author of numerous piano romances enhanced by violins, was launched by the song 'Non, Je ne Regrette Rien,' written for The Little Sparrow.

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    The anecdote, which became part of the Edith Piaf legend – and consequently in the history of French chanson – was to form one of the key scenes in La Vie en Rose, Olivier Dahan's biographical film. On October 5, 1960, lyricist Michel Vaucaire (1904-1980) and his composer partner Charles Dumont obtained an unexpected audience at the Paris home of the ailing singer. They turned up at 67 Boulevard Lannes in the 16th arrondissement with a song they tailor-made for The Little Sparrow (Piaf's nickname) four years earlier, but Piaf had already rejected it three times because she found it self-indulgent. And she had no desire to see Dumont again, whom she previously dismissed as a caricature self-portrait.

    However, after a long wait, the two men were eventually accepted. 31-year-old Dumont tried his luck one last time with a piano rendition of "Non, Je ne Regrette Rien." And there was another twist. This time, the broken bird heard the song that would lead to her return to the sta

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