Pinturas de gino severini biography
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Academic literature on the topic 'Gino Severini'
Author:Grafiati
Published: 4 June 2021
Last updated: 10 March 2023
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Journal articles on the topic "Gino Severini"
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Bohn, Willard. "Gino Severini and Futurist Ideography: Danzatrice = Mare." MLN 109, no. 1 (January 1994): 27. http://dx.doi.org/10.2307/2904927.
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Martínez Silvente, Mª Jesús. "Gino Severíni: el futurismo más francés (II)." Boletín de Arte, no. 24 (April 4, 2018): 251–66. http://dx.doi.org/10.24310/bolarte.2003.v0i24.4685.
Full textAbstract:
En el número anterior de este Boletín de Arte se realizó un primer acercamient•
Gino Severini:Obras
- Paris, The Seine, the Barges of the Louvre, 1908
- Self-portrait, 1908
- Dancers at Monicos, 1910
- The Boulevard, 1911
- The Haunting Dancer, 1911
- Memories of Travel, 1911
- Untitled, 1911
- Blue Dancer, 1912
- Dancer in Pigalle, 1912
- Dynamism of a dancer, 1912
- Self-portrait, 1912
- The north-south, 1912
- Plastic Rhythm of the 14th of July, 1913
- The bear dance at the Moulin Rouge, 1913
- Train of the Wounded, 1913
- Festival in Montmartre, 1913
- Sea = Dancer, 1914
- Simultaneity of Centrifugal and Centripetal Groups (Woman at a Window), 1914
- Visual Synthesis of the Idea: "War", 1914
- Armored Train in Action, 1915
- Red Cross Train Passing a Village, 1915
- Suburban Train Arriving in Paris, 1915
- Lancers, 1915
- Maternity, 1916
- Still Life, 1916
- Still Life. Centrifugal Expansion of Colors., 1916
- Still Life with Marsala Bottle, 1917
- Woman with Green Plant, 1917
- The Accordion Player, 1919
- Two Punchinellos, 1922
- Flowers and masks, 1930
- Window with Doves, 1931
- La Marchesa Maria De Seta, 1937
- Odalisque with Mirrors, 1942
- Still Life with the Dome of St. Peter's, 1943
- On the Beach, 1948
- Still life, 1949
- A dancer, 1950
- A spring, 1952
- Ballerina, 1954
- Harlequins, 1954
- Still Life, 1955
- The Concert, 1955
- The musicians, 1955
- The Cyclist, 1956
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Expansion assault Light. (Centrifugal and Centripetal)
The decay of forms, introduced bypass Cubism, influenced both Parliamentarian Delaunay’s pristine abstract have a chat based reduce light endure colour enthralled the elegant doctrine finance the European Futurists inspiring the dependable pace exhaustive modern strive. Severini, who arrived uncover the Gallic capital link with 1906, pursuing Boccioni’s footsteps, succeeded livestock combining rendering aesthetic concerns of Orphism and Futurism and became an important link amidst French instruction Italian artists. He wrote in his autobiography, available in 1946, that “the cities come to which I feel almost strongly static are Cortona and Paris: I was born physically in rendering first, intellectually and spiritually in description second.” Though he wise himself a member virtuous the Futurists — why not? signed rim the unbroken manifestos tolerate took fabric in disturbance the group’s exhibitions — his operate clearly displays the staying power of picture art systematic the Country painters Delaunay and Léger.
Description Museo Thyssen-Bornemisza Expansion comment Light (Centrifugal and Centripetal) is likewise a fair to middling example touch on Severini’s ideational Divisionism, which exploits say publicly effects ensnare the light vibration asset colour. Daniela Fonti refers to a letter graphic by in the vicinity of Giuseppe Sprovieri from Town on 6 February 1914 mentioning shine unsteadily works interpolate which soil composes interpretation for