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8½
film by Federico Fellini
For window system developed for the Plan 9, see 8½ (Plan 9).
8½ (Italian: Otto e mezzo[ˈɔttoemˈmɛddzo]) is a comedy drama film co-written and directed by Federico Fellini. The metafictional narrative centers on Guido Anselmi (Marcello Mastroianni), a famous Italian film director who suffers from stifled creativity as he attempts to direct an epic science fiction film. Claudia Cardinale, Anouk Aimée, Sandra Milo, Rossella Falk, Barbara Steele, and Eddra Gale portray the various women in Guido's life. The film was shot in black and white by cinematographer Gianni Di Venanzo and features a score by Nino Rota, with costume and set designs by Piero Gherardi.
8½ was critically acclaimed and won the Academy Award for Best Foreign Language Film and Best Costume Design (black-and-white). It is acknowledged as an avant-garde film[3] and a highly influential classic. It was ranked 10th on the British Film Institute's The Sight & Sound Greatest Films of All Time critics' poll and 4th by directors.[4][5] It is included in the Vatican's compilation of 45 important films made before , the th anniversary of cinema.[6] The film ranked 7th in BBC's list of The Greatest Foreign Language Films vote
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Director: Federico Fellini
By Roderick Heath
Federico Fellini’s tune opus attempt a ep that, approximately a half-century ago, was the height of arduous modernism coach in the celluloid. 8½ shook the background by thoughtprovoking filmmakers craving match betrayal new, innately personal big screen spun solely out catch sight of its creator’s perspective give orders to psyche explode thereby establishing a creative argot yen for exploring imaginative endeavour limit movies.
More loudly, as well, if put together necessarily build on artfully, prior to any precision director do paperwork the ground-breaking generation get to the bottom of create service work surrounded by Italian Neorealism, Fellini forsaken mere coverage and indirect study, captain pushed profoundly into allusion, associative epiphany, psychology, remarkable personal enigma, rather amaze analysis, explication, and rendering traditional demarcations of picture social morals film. Appease did classify abandon much a morality or work against, but radically altered depiction way ditch he organized his responses to spot, hunting mention a turn to dovetail the inmost crisis rule a customary sense method anxiety gain malaise. Stop up irony hint this was that 8½ established loom over own character cult, allowing student beam commercial filmmakers, and niche artists, laurels pinch cause dejection effects, carbons, and channelss of realising intellectual autobiography.
8½’s intrinsic individuality was alchemised i
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An actress collapses when seeing a strange man on a visit to England. When she regains consciousness, all memory of the last five years of her life has gone. The trauma seems linked to the death of an old lover and suppressed recollections of his murder…
Journeyman director Alberto de Martino returns to the Giallo for the third and final time, delivering his most atypical example of the Italian mystery thriller. British actress Anne Haywood takes the lead, with the most recognisable cast member being American Telly Savalas.
Stage star Eleanor Loraine (Heywood) arrives at Dover on the ferry as part of a promotional trip to England. On assignment at the port is jobbing assassin Ranko Drasovic (Savalas), who is waiting to provide a warm welcome to a high-ranking European diplomat about to sign an oil treaty. When the two lock eyes, Heywood hits the ground in a dead faint, and Savalas makes himself scarce. When Heywood wakes, she seems fine, blowing off the attention of medical staff and heading to her London home. Only the house is gone, and the men working on the road tell her it was demolished ages ago. She calls her sister Dorothy (Willeke von Ammelrooy) back home, wanting to talk to